Lori Blondeau

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Lori Blondeau, "Asiniy Iskwew," nd

Opening Reception: Friday, September 9 at 8-11pm

Performance Art Event during Winnipeg Nuit Blanche, October 1, 2016 - Location and time To Be Determined

"My work explores the influence of popular media and culture (contemporary and historical) on Aboriginal self-identity, self-image, and self-definition... I deconstruct the images of the Indian Princess and the Squaw and reconstruct an image of absurdity, inserting these hybrids into the mainstream. The performance personas I have created refer to the damage of colonialism and to the ironic pleasures of displacement and resistance.”

This exhibition is a complex survey of past iconic works by the remarkable artist, Lori Blondeau. Throughout her extensive arts practice she has produced tough, powerful women personas, like that of Cosmosquaw (1996) to her stunning endurance performance project performed during Venice Biennial titled, Grace (2007), to which these past works continue to have an impact and influence Canadian art history today. The artist has recently taken a new direction in her process and created a photo-based series from her research around Plains Indigenous rock formations. These extraordinary rock formations can be found throughout the prairies in Canada and the United States. Some of these sites were created to record ceremony, vision quests, battles and histories, plus many of these spaces are held in high regard because of the spiritual medicines those great rocks embody. Sadly, some of these sites have been destroyed due to outside interests but the Indigenous communities that respect them have not forgotten them. One such destruction is well known in Saskatchewan, the site known as Mistaseni, which was a four hundred tonne sacred rock that lay in the flood path of what is now known as Lake Diefenbaker. In 1966 it was blown up and the debris from this rock still exists under the dam waters today. Blondeau grew up hearing stories of Mistaseni and its importance with her people (Cree/Saulteaux/Metis). The photos in this series also represent the resilience of Indigenous cultures and each image documents the strong connection between the individual and the land.

Biography

Lori Blondeau is a Cree/Saulteaux/Metis artist from Saskatchewan, Blondeau holds an MFA from the University of Saskatchewan, and has sat on the Advisory Panel for Visual Arts for the Canada Council for the Arts and is a co-founder and the current director of TRIBE, an Aboriginal arts organization. Her practice includes both visual and performance contemporary art.

Special thank you to the Saskatchewan Arts Board  

Running concurrently in the Marvin Francis Media Gallery

Exhibition Title: Pilgrims of the Wild

Artists: Lori Blondeau, Michael Farnan, Adrian Stimson

Exhibition Dates: September 9 to October 15, 2016

Opening Reception: Friday, September 9 at 8-11pm

Michael Farnan’s recent work explores the tension between sweeping visual representations of the Canadian landscape and, in contrast, the daily lives and domestic spaces of individual Canadians. He accomplishes this through re-enactments of national narratives and by reconsidering relationships between Indigenous and non-Indigenous communities. Using humour, parody and collaboration as tools for critical inquiry and reflection, Farnan asks us to reevaluate how we think about our relationship to nature.

His previous exhibitions of drawings, sculptures and videos is the culmination of Farnan’s doctoral research at Western University, brings together an array of familiar characters from popular culture—the Group of Seven, Grey Owl, Pierce Brosnan, Kevin Costner, Boy Scouts—to reflect upon colonialism, wilderness, and nationhood. Two collaborative videos, Dance for the Narrows and Pilgrims of the Wild, which feature performances by artists Lori Blondeau and Adrian Stimson, draw upon an array of film conventions—narrative cinema, documentary, experimental video, and epic nature films—to provide an alternate perspective on the Canadian landscape.