Ahlam Shibli web commission for Remai Modern

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Ahlam Shibli, "Untitled (Staring no. 10), al-Khalil/Hebron, Palestine; Kassel, Germany, 2016-17." Gedenkstätte und Museum Trutzhain, March 16, 2017.

Puppets made by French prisoners of war at the Stalag IX A Ziegenhain prison camp. The site has been used since 1948 to accommodate Heimatvertriebene (expellees) and refugees of German descent from Eastern Europe, becoming the municipality of Trutzhain in 1951. Courtesy of the artist, © Ahlam Shibli

Remai Modern announces its newest web commission, Staring, Nine episodes from al-Khalil/Hebron (Palestine) and Kassel (Germany), 2016-17, by Ahlam Shibli.

Staring is a suite of pictures that further develops Shibli’s Occupation, photographed in al-Khalil/Hebron, and Heimat, photographed in Kassel and its surroundings. In these places, which are informed by very diverse conditions, Shibli had searched for evidence of the notion of home. What she found were manifestations of an evasive place that was imagined and disappropriated, constructed and denied, remembered, sought, rejected, reclaimed. Home appeared inseparable from contestation and ideological, political, and economic violence. Staring is comprised of images that were not included in the aforementioned photo series. Shibli has recombined these images to examine what is similar and what is different in situations apparently so far apart.

The photographs were made in 2016 and 2017, with the support of documenta 14 and the A. M. Qattan Foundation.

Remai Modern web commissions

In association with its pre-launch programs, Remai Modern has been inviting artists to realize original projects exclusively for online viewing. Through these web commissions, the museum considers its website as an extension of its physical space and onsite program. Mobile and experimental, this online gallery allows for direct, personal encounters with art while connecting artists and audiences across the globe.The web commissions are curated by Gregory Burke, Executive Director & CEO, and Sandra Guimarães, Director of Programs & Chief Curator at Remai Modern.Previous commissions by Ryan Gander, Tammi Campbell, Tanya Lukin Linklater, Thomas Hirschhorn, Taysir Batniji, Pedro Barateiro, Kara Uzelman, Rosa Barba, Amanda Beech, Ellen Moffat, Duane Linklater, Lynne Marsh and Raqs Media Collective remain accessible in the online archive.

About Ahlam Shibli

Through a documentary aesthetic, Ahlam Shibli’s photographs address the contradictory implications of the notion of home. Her work deals with the loss of home and the fight against that loss, but also with restrictions and limitations that the idea of home imposes on individuals and communities subjected to repressive identity politics.

Shibli works in series that look closely at communities and traces of history. Ramallah Archive (2014) pointed to ways of reorganizing collective and individual existence that can be encountered in the files and negatives at the Ramallah Municipality Archive and the contemporary city. Death (2011–12) showed the efforts of Palestinian society to preserve the presence of those who lost their lives fighting against the Israeli colonial occupation. The starting point of Trauma (2008–09) was the monuments that commemorate members of the French resistance against the Nazis together with French fighters in the colonial wars against peoples who demanded their own independence. Dom Dziecka. The house starves when you are away (2008) showed how children in Polish orphanages reconfigure their bodies to create particular communities of their own. In Eastern LGBT (2004 and 2006) the bodies of lesbian, gay, bisexual, and transgender people from Asian societies appear as a contested primary home.

Source: Remai Modern