Canada Pavilion Restoration in Venice Celebrates Collaboration
Canada Pavilion in 1957 or 1958 in the Giardini di Castello, Venice. (Photo: NGC)
The multilateral partnerships involved in the restoration of the Canada Pavilion in Venice reflect the Biennale Architettura 2018 theme of free space, described by La Biennale di Venezia as “a generosity of spirit at the heart of architecture’s agenda.”
The project, led by the National Gallery of Canada, was made possible through the exceptional support of La Biennale di Venezia, the Venice Superintendent for Architectural Heritage, the Royal Architectural Institute of Canada and Global Affairs Canada, especially through the Canadian Embassy in Rome. Funding for the $3 million restoration and an exhibition about the pavilion's history was provided by gallery patron Reesa Greenberg.
“The restoration of the Canada Pavilion has been a project spanning many years and two countries, involving the dedication of key individuals from governmental, architectural and cultural organizations in both Italy and Canada,” said Karen Colby-Stothart, chief executive officer of the National Gallery of Canada Foundation. “None of it would have been possible without the financial and moral support of our distinguished patron, Reesa Greenberg, who was a visionary force in writing this next chapter of the pavilion’s history.”
The renewed Canada Pavilion will be officially unveiled on May 26 at the 16th International Architecture Exhibition – La Biennale di Venezia. To commemorate its restoration and the 60th anniversary of the pavilion, a special exhibition will be presented. Organized by Réjean Legault, an associate professor at the École de design of the Université du Québec à Montréal and former head of the Study Centre at the Canadian Centre for Architecture, with the contribution of architectural and design historian Cammie McAtee, the exhibition Canada Builds/Rebuilds a Pavilion in Venice explores key moments across six decades and offers an unprecedented study of the building’s architecture.
The exhibition takes its title from a 1958 article in Canadian Art. Praising its design, Donald William Buchanan, then associate director of the National Gallery, wrote: “Perussutti has given Canada an exceptionally fine small pavilion with a freely spaced and open plan, a building much more exhilarating in aspect than are the more massive structures which adjoin it.”
In addition, the National Film Board of Canada is producing a series of short films to serve as a record of the restoration, documenting the history of the Canada Pavilion. This component reflects an ongoing connection and collaboration between the film board and the National Gallery, which partnered on a short documentary, City Out of Time (directed by Colin Low and narrated by William Shatner), when the pavilion was first built.
“As it prepares to be reborn, I’m thrilled that classic glimpses of the pavilion and of Venice from Colin Low’s 1959 film, City Out of Time, will be featured as part of the exhibition, along with interviews of key participants in this restoration,” said Claude Joli-Coeur, government film commissioner and chair of the National Film Board. “The NFB is proud to be working with our partners to celebrate Canadian achievement in the arts, while preserving this moment for future generations.”
The Royal Architectural Institute of Canada has also played an important role in the project by providing technical and design reviews, design work and letters of support, as well as participating in site visits and meetings with the architects, funders and Italian authorities and officials of the National Gallery.
“This small pavilion may not be known by all Canadians, but it is significant to Canada’s architectural community. La Biennale di Venezia provides a huge opportunity to share the innovative thinking and expertise of Canadian architects with the world,” said Michael Cox, president of the Royal Architectural Institute of Canada. “The Canada Pavilion in Venice is extraordinary. It is a beautiful structure, embodying the idea of Canada as a country in dialogue with nature. The RAIC applauds the sensitive preservation and modernization of the pavilion and the wonderful new landscape design.”
The restoration project, initiated by the gallery in 2014, is being carried out by the Milanese architect Alberico Barbiano di Belgiojoso, heir to the Italian firm that originally designed the pavilion, BBPR (Banfi, Belgiojoso, Peressutti, Rogers), working in close cooperation with Venice-based architect Troels Bruun, of M+B Studio, and Canadian exhibition designer Gordon Filewych, of onebadant.
Canadian landscape architect and Order of Canada recipient, Cornelia Hahn Oberlander, and Bryce Gauthier, of Enns Gauthier Landscape Architects, collaborated with La Biennale di Venezia and the Venice superintendent for architectural heritage on the redesign and replanting of the grounds surrounding the Canada Pavilion.
This has been undertaken within the context of a larger Giardini di Castello renewal project begun by La Biennale di Venezia in 2013. The site now features a new pathway behind the Canada Pavilion and a platform overlooking the Laguna Veneta, while also providing an expanded space that can accommodate performance and artistic interventions.
Owing to the unavailability of the Canada Pavilion during its restoration, UNCEDED: Voices of the Land, Canada’s official entry to the 16th International Architecture Exhibition – La Biennale di Venezia, will be presented in the Venice Arsenale from May 26 to Nov. 25.
Source: National Gallery of Canada
